A living museum of Puerto Rico's Black memory: thirteen galleries you can walk through from any browser.
Archivo Negro, a project of Movimiento Ananse and Revista Etnica, keeps a growing digital archive of Puerto Rico's Black history at archivonegro.org, the platform we built for them in 2023: family photographs, documents, portraits of cultural figures, the bomba and plena tradition. The collection lived as images on that website. Powerful, but flat, and physical exhibitions end.
The stories attached to each photograph, written with care in Spanish, deserved a place people could inhabit rather than scroll past. The team wanted presence: rooms, light, the feeling of standing in front of a work. And it had to run on a phone in a classroom as well as on a gallery projector, without gatekeepers like Google Arts and Culture deciding who gets in.
We started from the archive itself: a pipeline that reads every gallery, image, story and document from archivonegro.org into a structured database, so the museum is always an expression of the real collection, never a copy that drifts. Then we built the experience around presence: rooms, spotlights, benches, ambience, and three ways to see time. The client's editorial voice leads; the engine serves it.
A first-person museum for each of 13 galleries: framed, individually spotlit works, documents hanging as pieces, benches and light the way a real sala breathes.
The whole archive zoomable as Rio (chronological river), Constelacion (threads by category) and Estratos (era bands), each gallery positioned by the era of its subject matter.
486 images with their full Spanish stories and 18 documents, all sourced from archivonegro.org. If it is not in the archive, it is not in the museum.
Five bomba and plena instruments stand on pedestals in the music rooms as scanned 3D objects.
Every work deep-linkable; VR-ready; a light mode for modest devices; procedural ambience throughout.
under the hood: Three.js and WebGL, structured content pipeline over managed Postgres, WebXR
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